06:21
Unknown
[Review contains spoilers]
What's really important here is that Damian Wayne is back. Batman does not need more than one dead Robin in his mythos and especially the death of Batman's son seems exceptionally cruel. The extent to which this would affect Batman is probably reflected in how completely the other Bat-titles have largely sidestepped Damian's death altogether. But Tomasi puts that all behind us, and the "how" is less important than the "what."
That "how" is an all-too-rare cosmic action Batman story, and with a super-powered Robin to boot. There's nothing wrong with that, and perhaps more notable than Batman fighting Darkseid is seeing Red Robin, Batgirl, and Red Hood up against the forces of Apokolips, and teamed up with Cyborg. That's wild, doing things with these characters that no writer has done before, and I enjoyed Robin Rises on the level of a summer blockbuster movie.
At the same time, there's a second-chapter sequence where Batman is just plowing through Apokoliptian monsters, which reminds the reader of Grant Morrison's near-invincible Batman. Even despite Batman's Hellbat suit (and the mutable physics of comic books), this book stretches believability to an extent. I sense, however, that Tomasi's story is purposefully over the top, including when Alfred, warned in the Batcave of a pending incursion from Apokolips, straightens his tie, brushes his hair, puts on his jacket, and then straps on a giant otherworldly gun to prepare to blow them all to hell.
This Silver Age vibe to the book is reinforced by the annual that finishes the book, set almost entirely with a Batman and resurrected Robin in space suits on the moon. It's the annual that seals the book, seeing Damian once again ignoring his father's direct orders, but with Batman having to acknowledge Damian's correct handling of the matter. It's a hopeful moment, with Damian and Batman agreeing that "it sure is great to be us."
The book needs this, because between the four-part "Robin Rises" and the annual is the book's concluding story, the three-part "Superpower," which I didn't feel concluded the book satisfactorily on its own. I don't look askance at all at three issues that are mostly Batman and Robin talking to one another, nor ones that let Patrick Gleason draw the Justice League. But as Batman and Robin's closing arc, the story offers very few lessons learned; Damian's still headstrong, Batman's still cautioning him to control himself. There's a mild suggestion at the end that Damian showed restraint in fighting alongside Shazam, but I didn't even note it in the story until Batman remarks on it outright later on. As has often been the case, the gains in Bruce and Damian Wayne's relationship in this book are presented factually by Tomasi rather than the reader being made to feel them emotionally. Fortunately the annual helps correct what "Superpower" doesn't achieve.
Robin Rises includes the Robin Rises: Alpha issue, with art by Andy Kubert. It remains fitting for Kubert to bookend this story given his role in Damian's first appearances, though Alpha repeats about 10 pages of the previous issue such to make Alpha's necessity uncertain at the outset. Kubert certainly draws the rock 'em, sock 'em action well, though figures in the background get a bit fuzzy. In both the Alpha and proceeding issue, Tomasi suggests something about how Batman could at that moment either resurrect Damian or Bruce's parents, a curious intimation never fully explained. When Kubert draws it, he has young Bruce grabbing the leg of his parents' killer, a nicely subtle and unusual suggestion that Bruce fought back in that fateful moment in Crime Alley.
Again, I don't always think Batman and Robin, and Batman and Robin Vol. 7: Robin Rises, did enough to explore Bruce and Damian Wayne's relationship, but there's plenty of good moments in this and all the books (especially, here, Patrick Gleason drawing Aquaman again and Damian's reasons for visiting him). Rises also remains unclear on Batman's history with Darkseid; the previous volume specifically referenced when Darkseid sent Batman back in time in Final Crisis, but in this book it seems the two haven't met since Justice League Vol. 1: Origin. But those are minor issues in a highly imaginative volume that caps off a fine run (the first volume, Born to Kill, remains among the best of the New 52), and I'm very eager to follow Peter Tomasi, Gleason, and Doug Mahnke into the "Rebirth" Superman title.
[Includes original and variant covers, Patrick Gleason sketches and pages]
Posted in: Collected Editions
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