In 1971 Skywald Publications (a company founded by Sol Brodsky and Israel Waldman) published two issues of Crime Machine, which was a blackline reprint magazine of 1950’s crime comics, mostly from Avon.
Someone thought it was a good idea to introduce a host, Matt Grover, a “crime fighter and researcher into crimes and criminals of the past.” It required some paste-ups of Matt’s head in the splash panels of the stories. Perhaps the editor thought it would bring a touch of the present to stories of the past. Waldman, who had published the I.W. reprints line of comics sold through grocery and chain stores, had made his reputation with comics fans by reprinting old comic books, and when he co-launched Skywald he apparently had this sort of material lying around the office.
“Marion Gilmore” is drawn by Joe Kubert, and is a standard crime story of the era made special by Kubert’s dynamic artwork. Love that symbolic splash panel. (You got more of Joe’s artwork in the Pappy Tenth Anniversary Sunday post on July 3.) Marion’s story was originally published in Avon’s Parole Breakers #2 (1952). Did Gilmore really exist? Is this another example of a so-called true crime story? Did a girl luring men with an offer of sex, then having them mugged by her accomplices, move up to become crime queen of the San Francisco waterfronts? I don’t know. I don’t even care. Joe’s artwork is enough for me .


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