FIGHTING AMERICAN - SENSATIONAL SUPERHERO OR COPYCAT CLONE?

Images copyright TITAN COMICS

Let me say from the start that I'm a fan of the SIMON & KIRBY team - for the most part anyway.  However, I'm slightly puzzled by the esteem in which some of their comics are held, because not all of them were winners.  FIGHTING AMERICAN is one of those that didn't overly impress me when MARVEL released a hardcover collection back in the '90s, mainly because S&K failed to explore the interesting premise of one man's mind in another man's body (his brother's).  It's done and then it's over with, and aside from setting up the 'revenge' angle motivation of the hero, is never exploited in the way that it should've been.

There's some nice artwork in the original 7 issue series, but once it switched to 'parody' (as S&K later described it), it lost any promise it might've had.  In fact, 'parody' is too high-falutin' a word - 'comedy' is a better fit.  Trouble is, all that did was give the impression that JACK & JOE weren't taking the character too seriously, and if they weren't, then why should the readers?  It's been said that distribution problems led to the failure of the title (and that may well have been a factor), but I suspect the main reason was simply that the strip was too lightweight to win the affection and loyalty of comicbook buyers.

We also have to remember that, essentially, FA wasn't much more than a CAPTAIN AMERICA clone, and as the good Captain himself wasn't doing that well at the time, it was probably a tad optimistic of both strips' creators to imagine that a copycat character would do any better.  To me, Fighting American (and also BOYS' RANCH) are two comicbooks that initially showed potential, but never quite delivered.  Those who read the mags back in the day might disagree, but that's to be expected.  After all, the comics people read as kids represent their childhood to them, which is precious, so obviously they're going to view them in quite a different way.

I should perhaps emphasise (given the vehemently negative way in which any observations or criticisms emanating from me are viewed by a small band of detractors), that I'm not saying Fighting American and Boys' Ranch were bad comics - they were perfectly competent and professional, entertaining even (to a degree) - but they just weren't out-and-out knockouts, despite the way history has been 'rewritten' to suggest otherwise.

Which brings us to TITAN COMICS new title, resurrecting the hero for a contemporary audience.  Writer GORDON RENNIE kicks off by transplanting, via time travel, FA and SPEEDBOY from the '50s to modern-day America, thereby increasing the already blatant similarities to Captain America.  Just like STEVE ROGERS, NELSON FLAGG is now also a man 'out of his time', in a 'world he never made', and it'll be interesting to see if the comic travels along similar lines to its Marvel rival.  DUKE MIGHTEN's art is a little caricaturish in places, and his faces on Fighting American are downright ugly at times, but his action sequences are effective and his sense of storytelling is clear.

It's interesting to see that letterer SIMON BOWLAND gets a cover credit, but as it's a computer font I'm not sure it's justified (you can be sure that the Anti-Robson League Quartet will put that down to sour grapes on my part).  However, the lettering is competently executed, its placement doesn't obscure anything vital, and it does just exactly what lettering should do, no more, no less.  There's a mistake that the editor should have caught and corrected (seeing as how the letterer missed it), but those 'in the know' will be aware of my assessment of that particular individual's 'ability' and (more importantly) character, so there's no need for me to go into that here.

In conclusion, the comic isn't a bad read and shows promise, though I'm not sure that Fighting American as a hero is a big enough attraction for me to continue with the series.  However, I'm certainly not going to try and talk you out of giving it a try if you're so inclined, and it's certainly an intriguing plot line that should engage your interest.  One thing the creative team should do in the future if the comic proves popular is explore the psychological aspects of having one man's brain in another man's body.  What's it like to look in the mirror and see the reflection of your dead brother staring back at you?  What's it like to look at 'your' hands as you perform some task, and not recognise them as the hands you grew up with?  What happened to Nelson Flagg's own body?  Was it disposed of, or does it live on, in suspended animation, in case Nelson's mind should ever need returned to it?

There's potential in those unexplored questions, and I hope the creative team decide to eventually delve into them and forge some interesting stories around them.

Spot the lettering mistake 

Posted in: Cartoons