Review: The Man Of Steel #2

 The Man of Steel #2 came out this week, the second chapter in this six issue mini-series written by Superman scribe of the future Brian Michael Bendis. I went into this series with some trepidation, wondering just what I would get from Bendis and just how much of the previous runs (bringing back a more classic Superman) was going to be left standing and how much would be razed.

Well, two issues in and I am quite happy.

Bendis is walking the incredible tightrope of having this mini-series feel fresh and current while at the same time bring a classic sensibility to the proceedings. We have a Superman who is devastated by the disappearance of his family, who is dealing with modern issues of journalism, who has well-meaning friends who are concerned but afraid to confront, and their is a planetary threat on the horizon. That's all modern comic fodder.

But we also get a smiling Superman taking on a giant toy. We get a Superman saving homeless people from a burning building. We get Jimmy and Perry verbally sparring. We get Steve Lombard and Ron Troupe pranking each other in the background. We have the Planet and super-heroics. That is all old school cool.

The only thing missing from both those elements is ... well ... Lois and Jon. But their plot is just beginning to surface and their presence like Rebecca in the Hitchcock movie and Sebastian in Suddenly Last Summer is felt everywhere, maybe stronger in their absence. I do hope the two return some point soon.

And that Rogol Zaar plot is the thing I am sort of dreading the most and it isn't in the forefront yet. With my liking the Metropolis action so much, I hope Zaar doesn't take the air out of the room.

The art here is predominantly done by two of my favorites - Doc Shaner and Steve Rude. Both bring a ridiculous economy to the proceedings. The art seems simple but is brilliant in execution, that whole new and classic thing all over again. Shaner and Rude and like peanut butter and jelly. Seriously, I love both their styles and they work perfect here.

On to the book.

 The issue starts with the announcement that Krypton has exploded.

Lord Gandelo, one of the Galactic Circle, confronts Guardian Appa Ali Apsa about the event. It can't be coincidence that it happened right after Rogol Zaar asked for permission to cleanse the universe of Kryptonians. But Apsa thinks it was a natural occurrence. The GL of the sector (presumably still Tomar Re) wasn't around to save the place. (We do learn that Sardath is one of this circle. He must be ancient!)

So at least for now there is the chance that Krypton died from it's own self-inflicted wounds. And I'd be pretty happy if that stayed true.

But then this interaction struck me. Zaar is a 'legendary creature of war' and, it seems, could overrun this council if he wanted to. Gandelo looks as if he fears Zaar. At the very least, this amps up Zaar. If a Guardian thinks he's tough, he's tough.

I wonder if somehow Zaar is going to be linked to Doomsday. Perhaps the genetic source of Doomsday's form?

Zaar isn't on his homeworld when Apsa investigates. So perhaps Rogol died when Krypton exploded.

My guess? Zaar goes to Krypton to deliver a payload only to have it explode on its own. Caught in the wake, he is horribly scarred.

 Meanwhile on Earth in the present, the mystery of Lois Lane's disappearance is all the water cooler talk at the Planet. Newcomer Robinson Goode, a reporter with nefarious leanings, asks gossip columnist Trish Q what the rumors are.

Q says no one knows although people wonder if Lois left Clark, taking Jon with her.

There is a lot to unpack here. From Robinson trying to get Clark's attention to Trish's retort that Clark is all Smallville felt right. Seeing 'The Pit' in the Planet was cool too. And Perry yelling about Lois' office being off limits just adds to tension.

Lois is the 800lb gorilla not in the room.

Can I also add that Trish reminds me a little of Velma on Scooby Doo. And since both seem to be scrappy seekers of truth, that made me smile.

 On the West Coast, Superman stops in Coast City to stop a rampaging giant monkey robot from ripping the place apart. It is clear to Superman that Toyman is changing locales. And Toyman says it outright. He doesn't want to mess with Superman anymore.

What do I love about this, the absurdity of it. And Superman smiling broadly as if he is in on the joke. Taking out silly villains like Toyman and Prankster is probably the fun part of the job and I am glad Supes seems to be enjoying it.

This is Classic Superman and that thrills me.

 Even during the fight, there is banter with Toyman insisting on being called The Toyman. Superman wonders why Schott just doesn't use his capabilities to make people happy. Superman trying to talk down his opponent is also classic.

But when Toyman throws one last volley of toys at Superman he's finally had it. There is only so much fun to go around. He asks him outright 'what is wrong with you?' The look of exasperation on his face perfectly captures the feeling.

And then Toyman's defeated admission that the idea of a giant robot monkey terrorizing the city made sense a minute earlier is also perfect.

Classic and modern.

 This is Coast City so Green Lantern shows up. There is a warmth to the encounter, like two old buddies unexpectedly running into each other. Remember the angst of the New 52 Justice League? Gone. These are chums who know and like each other.

And care for each other. Hal asks if Superman is okay. He hasn't been to JLA meetings lately. You can see the look of worry on Hal's face, but also some hesitation. I don't think he wants to pry.

If Lois is missing, the League knows it. But maybe they also don't know why. Maybe this is why Hal doesn't mention Lois by name. Heck, he's had enough romance problems to know when not to pick the scab.

I liked this scene a ton because it showed some humanity amid the superheroics. These are friends who are worrying about each other's lives, not just about the adventures. And maybe, just maybe, Superman is just putting on a happy face.

But Hal's questions do bring back Superman's emotional pain. In a flashback, Superman remembers Lois and Jon disappearing. We know see what caused the flash last issue.

Looks like I was wrong and it isn't a Clark doppelganger. Looks like, thankfully, it isn't Mr. Oz.

There is something Kirby-esque about this thing. Is it a ship? Or a celestial finger of some sort? It isn't screaming Fourth World. But it isn't *not* Fourth World either. Maybe it's a time travel device?

We switch to Steve Rude for the rest of the issue.

While Superman grieves on the moon, we cut to Taffey's West, a bar out in the universe somewhere. Ambush Bug is the maitre d'.

Inside, someone spots an S-shield necklace and is told Superman exists, the last son of Krypton. Hearing that a Kryptonian exists causes the guest, Rogol Zaar, to fly off in anger. He is coming.

But look, I had to include these panels because the bar is called Taffey's West.

Taffey was the bar owner in Blade Runner.

Maybe the bartender should have offered Rogol a drink to calm down? 'The man is dry."

 But there is time to grieve and time to move on.

Superman heads back to Metropolis where another building is on fire. Using his wits, he saves the people trapped. And then, he has to hold back a cascade of trash as the building collapses.

This is an attack of arson on his city and he isn't happy.

How I love these panels. Rude's work is just mesmerizing as we see and feel the effort of Superman. That second panel of him holding up the building is so freaking spectacular. The art just flows.

The book ends back in the Planet. Perry tells Clark that the Planet has been bought. He is unsure if it will continue. He bemoans journalism of the day, when someone with a cellphone has more clout than reporters painstakingly researching the truth.

In the strongest panel of the book (for me), we see just how much has changed in the career of Perry. From hand typewriters to electric to bulky word processors to his laptop, Perry has seen it all. And he has grown weary.

Clark says he'll help figure out who bought the Planet. But in walks Trish Q who says the Planet is sitting on a goldmine. Print the story about Lois' disappearance and the paper will sell a bundle. It seems awfully tacky for Trish to bring this up with Clark in the room. That made no sense to me. Wouldn't she have the sense to pitch this to Perry without Clark there?

A calamity with the Joker pulls Clark away before he can respond.

And then we see Rogol Zaar, on a space motorcycle, en route to Earth.

So all in all, a very solid issue. While there wasn't a ton of plot progression, there was enough for me to feel we were moving forward. But the strength of this issue is the character building throughout. We are establishing the players while the action slowly enfolds. With the players on stage, it most likely is time things will ramp up.

And the art throughout is simply dazzling. Even if you are turned off by the proceedings, you should buy it just to ogle the panels. Brilliant work.

Overall grade: A

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