I'm keenly aware that I've been largely critical (though fascinated) with Williamson's Flash run, even as I've enjoyed his crossover books of this type (Justice League vs. Suicide Squad immediately comes to mind), so I was hoping to like this title. But the factors above, plus what seems a repetitious plot coming next time around, gives me concern. Batman/Superman (or Superman/Batman) titles have a tendency to start strong and purposeful and then peter out — to the detriment of both characters and the team-up series as a whole — and as yet I don't see evidence that this go-around will be any different.
[Review contains spoilers]
Williamson preserves the dual narration inherent to these Batman/Superman books, starting back with Jeph Loeb's Superman/Batman. Back then, the big events on the docket were Identity Crisis and Infinite Crisis, for which Superman/Batman provided the first intimations; after the fall of President Lex Luthor and the arrival of Supergirl Kara Zor-El, however, from there Superman/Batman became largely episodic, largely an anthology of Superman/Batman team-ups rather than a central site of DCU goings-on as it had proported to be. Its cancelation 87 issues later was an unexpected mercy given the pomp with which the series began. The New 52 Batman/Superman revival, astoundingly, equally floundered, promising at the beginning to explicate the connections between the New 52 Earth 1 and Earth 2, but ultimately didn't have much consequence, becoming eventually just another venue for Superman-title crossover stories.
The most recent attempt at this kind of regular team-up title was the Rebirth Trinity, pairing Superman, Batman, and Wonder Woman. This too started as a big thing, where the New 52 Batman and Wonder Woman would get to know the newly arrived pre-Flashpoint Superman in the Rebirth world. That lasted only about an arc, till Superman Reborn smoothed that particular continuity wrinkle, and then this too became a mostly secondary series of "just because" stories, lasting only 22 issues. A great many of these involved analogue villains — Lex Luthor, Ra's al Ghul, and Circe — battling the trinity of heroes.
That's why it gives one pause at the outset — skipping all the way to the end — to see Superman's General Zod confronting none other than Ra's al Ghul. There ought be some difference between whatever comes next and the previous series' "Dark Trinity" story, not in the least because Zod is, at time of this writing, currently Superman's ally. Granted I haven't read the forthcoming story yet, but that Williamson is going back to the well so quickly — teamed-up heroes fight their teamed-up villains — and that a part of this is Ra's, again, is deeply worrying. It looks like this series going down the same old path, and we know from previous series where that leads.
Again, for one wanting to see Superman and Batman get up in each other's (title's) business, Secret Six is the place to be. The Batman side's contribution is notable but small, bringing Superman into the aftermath of the Batman Who Laughs miniseries; at the same time, there's no mention of City of Bane here, nor does Superman inquire when Batman will be returning his wedding present, so the ties are strictly outside the Bat-titles proper. The Superman side's contribution is far more significant, though seemingly tacked on; Batman comments on Superman having revealed his identity to the world as of Superman Vol. 3, but it's not as though it affects the plot, nor does the art acknowledge it enough to dispel the possibility that the dialogue was just a late-game add-on. That final issue of the book, both in the trade and moreso in the single issue, also directs the audience via editorial box to a couple different Year of the Villain miniseries and to follow Wonder Woman into the Supergirl book.
That's catnip for those who like that kind of thing, and I don't disparage it in the slightest. Also Williamson writes Superman and Batman just fine within these pages, no false notes or such, and one can even see some motivation within these pages for Clark revealing his identity in the Brian Michael Bendis book (more overt motivation, perhaps, than even the Bendis book offers). But that good characterization does not extend to this book's titular Secret Six. Three of these — Shazam, Blue Beetle Jaime Reyes, and Supergirl — are of the Teen Titan set, and Williamson writes them like bratty, slang-spewing teenagers; ultimately they don't read like a threat so much as an annoyance. The new angry Donna Troy has been problematic in Rebirth even before being infected by the Batman Who Laughs and so these developments just seem compounding writers' existing troubles; she and the infected Hawkman bickering is also less frightening than annoying, a far cry for instance from the horrific possessed heroes of Blackest Night.
So, Batman/Superman Vol. 1: Who Are the Secret Six? is what it is. Superman and Batman fret for a while and get knocked around by some possessed heroes, and that sets the backdrop for Year of the Villain: Hell Arisen so that miniseries doesn't have to. Again, not bad for a bald-faced tie-in, though possibly we'd all have been better served by this as a Batman/Superman miniseries than an ongoing. Looking ahead, I see a solicitation that promises to "reverberate across the DC Universe for months to come!" If true, I'd certainly be game, but forgive me for being skeptical.
[Includes original and variant covers]
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