No one ever seemed to question why the masked Black Cat showed up when there was a mystery simultaneous with her secret identity, Linda Turner, making a movie. My guess is it was her costume. She wore a cute little outfit as Black Cat (little being the operative word), which kept the eyes of observers on her low-cut top and her legs. She was also good at judo, so she had no superpowers, just fighting skills.
In this story, Rick Horne, who is her boyfriend, can’t put two and two together and realize Linda’s bright red curly short hair is also Black Cat’s hairstyle.
The Black Cat was created for Harvey’s Pocket Comics (which had a short run), then on to Speed Comics. She also showed up in All-New Comics, from which this tale of Japanese saboteurs is taken. Her character was aptly handled by some talented artists, and she kept in print throughout the 1940s. My first ogle...excuse me, I mean look...at Black Cat was in the three 25¢ Giant Size reprint comics from Harvey in 1962 and 1963, in stories drawn by Lee Elias. Al Gabriele, credited for the art by the Grand Comics Database, drew the story I am showing here.
From All-New Comics #9 (1944).
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